Visiting Artist

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On September 27th, a group of students from Ray Whalen’s art class at Parishville-Hopkinton Central School visited the gallery.  The Alexander String Quartet was in residence at SLU that week, and the students sketched as the quartet played works by Mozart, Shostakovich and Beethoven — not a lightweight program by any means!

Violist Paul Yarbrough spoke briefly between each of the three pieces, giving historical and social context for the music.  It was an amazing opportunity for students to hear a performance by world-class musicians in a small, informal setting.

 

 

Artist Daniel Heyman made the trip to Canton from Philadelphia, PA, earlier this week, visiting campus in conjunction with the Bearing Witness exhibition, which features his gouache paintings and prints (including a huge etching on multiple pieces of plywood).

While here, he gave a very moving artist’s lecture, met with students and members from the local community, and also taught Japanese wood block printing to Melissa Schulenberg’s beginning printmaking class. And he made a lithograph with Melissa, too! All this in just 2 1/2 action-packed days.

I really enjoyed getting to know Daniel — and his snappy sense of humor!

 

I purchased Paula Fenwick’s Ocean Nestbird from the ELEMENTALS Birds exhibition at SLU, though “purchase” isn’t really the right term here.  Of the nearly 40 artists who participated in the ELEMENTALS project, a good percentage of them decided to offer their work for sale in exchange for doing something to generate good will or feelings of positivity, such as donating a nice meal to a local charity.  That was the way the two exhibition organizers, Inga and Andy Hamilton, had set up the show—for artists’ works to generate good will and positivity.

Paula had indicated that her three birds were “US $56 each, or $32 if the buyer agrees to buy and give a total stranger a bunch of flowers, or $0 if buyer verbally agrees to a random act of kindness.”  So, I cogitated for a while.  I didn’t necessarily want to buy the artwork outright, because something about this show asked visitors to re-think their relationship to the world around them.  (Hmmm.  Crazy how art can do that, isn’t it?)

Therefore, as I continued to think it through, I wondered, at $32, how will I choose “the right” perfect stranger?  At $0, what qualifies as an act of kindness?

And then, my random act of kindness appeared right in front of me.  I didn’t have to go find it.  It found me.

Yesterday, I went to the local food mart to buy a few items.  In the checkout lane, a guy and his teen-aged daughter were going through the usual routine.  In this case, however, the guy’s debit card wasn’t working.  He tried four times and held it together pretty well.  (I’ve been in that situation before, and it stinks!)  He tried it again as a credit card with no luck.  He tried three times more putting a plastic bag around it, now running it up to eight times through, and nothing.  He rubbed it on his jacket.  I rubbed it on mine.  It wasn’t working.

Well, you can guess what happened next.  I paid for his groceries.  I told him and his daughter about the art exhibition and that I was trying to figure out what to do to perform a random act of kindness.  I don’t think they really cared about the whole back story, which is fine.  Maybe this debit card thing had happened before.  All I know is when I said I would cover the bill, the two of them just melted with relief.  It was pretty sweet.

The other part of it is that I used to go food shopping with my dad after my mom left our family when I was 14.  He and I (and my two sisters) were sort of on the edge, I think, trying to make sense of how to proceed without her.  I remember making a shopping list every week: ham with pineapple slices, cheez-pixies, orange soda, bread and sliced meat for lunches, etc….

Anyway, yesterday, according to the grocery receipt, the guy and his daughter bought a BC CAKE ($1.19), 80% GROUND B ($10.97), JMBO BNLS CH ($8.96), TOP RND LOND ($7.48), and two BCN WRPD BF FILETs ($2.00 each).  It came to around $32.00.

I hope Paula, Inga, and Andy will be happy to hear this story.

The transformative power of art!

Please join us on Thursday evening for a gallery discussion with visiting artists Inga and Andy  Hamilton.

More information about and photographs of  the ELEMENTALS Birds project can be found on the ELEMENTALS at SLU FB page.

“ELEMENTALS Birds” is a very special experiment to see if artists, printmakers, and craftspeople can physically embody feelings of peace, harmony, and goodwill in their artwork and tangibly affect the environment in which it is shown.  By definition, elementals traditionally are thoughts that once created become attached to their creator and are fed by further thoughts and actions.  They’re often referred to as an air of positivity or negativity; confidence or lack thereof; peace or disharmony.

Inga and Andy Hamilton will be on campus for three weeks to create site-specific installations at the gallery that unfold over time and flow with good intention to all those who encounter their work.  The artists also invite students, faculty, staff, and community members to create their own elemental birds to be placed around campus and town.

Come see what happens when artists (and you!) are given permission to explore new avenues in unexpected and magical ways.  You can chat with the all of the participating artists on Facebook and see pix of their work by searching for Elementals Birds.

Artists’ Bios
Installation artist Inga Hamilton works in the Venn diagram intersection where craft, art, science, mathematics, and activism meet.  Her textiles are currently showing in Dubh, dialogues in black, at the American Irish Historical Society in New York City, a showcase of leading artists and craftspeople from Ireland and the United States.

You’re just as likely to find the work of printmaker, digital illustrator, and urban artist Andy Hamilton (a.k.a. MyTarPit) hanging in the likes of Nintendo’s head office, slid amongst the volumes in a bookstore, or pinned to the back of a stop sign.  His obsession with mark-making and character design spurs him on to develop groundbreaking print techniques with an old-school twist.

Known equally for their guerrilla art activities and gallery installations, Inga and Andy have presented their work throughout the United States and Europe in exhibitions, public art projects, live paints, workshops, and residencies.

Please join us!  Inga and Andy have created templates so that everyone can contribute to the project.

fat bottomed owl elemental 01
fat bottomed owl elemental 02

joe crow elemental 1
joe crow elemental 2

squirch elemental 1

yaffle elemental 1
yaffle elemental 2
yaffle elemental 3

 

Artist's Talk

In conjunction with the Re-framing Terrorism exhibition, artist Wafaa Bilal will give a lecture in Griffiths 123 on Thursday, October 6, at 7:00 p.m.

More information about Bilal can be found at wafaabilal.com.

Our globe-trotting sticker ninja, Spencer Homick ’06, sent a link to a hilarious video skit about Julian Assange played by David Rees called Terrible Houseguest.  We’ve had David come to SLU on two occasions, and both were some of the best presentations we’ve seen.  David’s work is difficult to classify, evidenced by two project titles, “My New Filing Technique is Unstoppable” and “Get Your War On.”  The GYWO series is/was a brilliant response to the events taking place after 9/11.  I say is/was b/c David has been doing some new cartoons in the GYWO series, from what I’ve heard.

The gallery got in a little trouble after producing an exhibition card for a GYWO mini-exhibition (presented alongside work by NY Times photographer Tyler Hicks, who was recently held captive on assignment in Libya but today released).  Trouble on one level (with donors), but the SLU president at the time was very supportive of free speech in academia.

If you haven’t seen the GYWO books, pick them up.  (Sorry for the crazy thumbnail….)

In conjunction with the Picto This! exhibition, artist Motomichi Nakamura came to campus last week for two days, during which he made a bunch of monoprints in the print studio with the help of Melissa Schulenberg, gave a lecture describing his artwork and creative processes, and conducted a workshop about character design.

He hadn’t made monoprints before, and I think he enjoyed working in a new medium.

Composer William Price spoke in the Gallery last night.  His talk, “Composition, Creativity, and the Concerns of the Professional Composer” addressed what it means to be a contemporary composer, but he spoke about working in other creative disciplines as well.

Composer William Price

Composer William Price

He  played some interesting excerpts of his compositions — including a piece for saxophone quartet (!) and another piece based on the fiction of Dashiell Hammett.

William Price and Chris Watts will present a selection of electronic music and animation tonight (March 16) in the Underground.  I heart electronica, so I’ll be there!

The talk was sponsored by the SLU Department of Music and the Birdsong Endowment for Music.

We’re pleased to have Lauri Lyons here today to speak in conjunction with the exhibition of her photographs on display at the Brush Art Gallery.  She will be speaking about two related projects, one called “Flag: An American Story” and the other “Flag International.”

From 1995-2000, Lauri traveled across the United States to interview people about what they thought was America.  Each person would reflect upon this and write their comments in one of her journals.  Afterwards, she would photograph them with an American flag.

Later, in 2007, she went to Europe to investigate how the international community views the United States in the 21st century.  Similarly, each subject was approached on the street and handed a sketchbook to write his or her views of America.  Each was given an American flag, and people posed however they felt comfortable.

Works from both projects are presented in the exhibition here at St. Lawrence.

Lauri has produced and photographed essays in Brazil, Mexico, West Africa, and the United States, which have appeared in such publications as Stern, Trace, Vibe, and The London Observer.  In 2003, Lauri Lyons became the first black woman to shoot the cover of Fortune magazine and in 2006, the first black female photographer signed to Getty Images.

Lauri has shown her work The International Center of Photography, Brooklyn Museum of Art, and the Civil Rights Museum. Her advertising clients include Pepsi and McDonald’s.

From 2000 to present, Lauri Lyons has served as a faculty member for the International Center of Photography, Rhode Island School of Design, and as the Director of Photography for the Leave Out Violence youth program.

Lauri has also contributed to The Huffington Post on a wide variety of topics including Afro-Brazilian history, beats, and culture; art and activism by homeless teens in Minneapolis; women in hip-hop: the B-Girl Be festival; and Harlem memorializing Michael Jackson at the Apollo Theater.

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